Much has been said about your mentor Kreia, the heretical Force mystic who accompanies you on your journey. Yet it’s done so casually, introduced over time through each element, that even the young kids playing it at the time could understand. This isn’t simply to mock the arguably problematic binary, but to make players think about why we so often embrace convenient falsehoods and platitudes over the more complex reality at hand. Earning loyalty among your crew is your protagonist building actual Force bonds with each of them.Ĭliche choices are skewered and recontextualized through the framing device of Force-based morality. Even leveling up is explained as a result of a parasitic wound you’ve acquired from surviving the Mandalorian Wars. More than the characters, the very foundations of how CRPGs work are embraced in KOTOR 2. The ideal outcome is that they find temperance, yet death follows if they’ve been misguided by your decisions. They can’t stand idly, but caution is necessary when defeating the final Sith Lord. Neither character is presented as superior, with their fight in the restored climax demonstrating that they merely come from two different perspectives that need to reconcile. Her lack of knowledge in all but fighting isn’t simply a class restriction, but a fundamental character flaw from years of repression by her teacher. To get to know her, you have to duel, with her character sheet having built her to easily beat you in hand-to-hand combat. Yet it’s her own hesitance that led her to being forced into servitude under one of the most terrifying Sith Lords who ever lived.īy contrast, the heroic Handmaiden is purely about the physical, processing everything through actions, immediacy, and sensation. When you view the world in first-person through her gaze, you experience the galaxy as seen through the Force itself. The Sith assassin Visas is contemplative and patient, with even her romantic arc fitting more of an asexual dynamic than a carnal one. They serve not only to critique numerous Star Wars archetypes, but to play off each other to explore deeper themes. Rather than archetypes with brief yet exciting backstories and the odd personal quest, your companions are fully realized individuals who embody whole philosophies. This attention to detail extends across the whole campaign. As tutorials go, few strive as hard to embody the back-and-forth of a player and their GM. In lieu of a save state import, it lets you establish the events of the last game in idle conversation, like a gamemaster who improvises without skipping a beat. The prologue aboard the mining facility of Peragus might be a slow burn, but it rewards every character creation choice made. Yet the actual role-playing experience is superb. The combat has aged like spoiled milk, and while I might enjoy the aesthetic, the art design can only do so much to offset the limited animations and blocky graphics. Well, what I want is more content with the quality of KOTOR 2. People always ask me what it is that I “want from Star Wars” if what’s already on offer isn’t enough.
Yet, when I returned to it this time, after a decade and a canon reset later, I wasn’t met with overwhelming awe. It’s considered a landmark role-playing experience, expanding leaps and bounds upon the foundation of its predecessor from BioWare. Star Wars: Knights of the Old Republic II – The Sith Lords ( KOTOR 2), Obsidian’s sole contribution to a galaxy far, far away, remains one of the franchise’s most shining jewels.
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