This is a very playful way to end a solo guitar performance to keep the audience guessing when the final cadence will come.ĬLICK IMAGE TO ENLARGE: JULIAN, LAGE, GUITAR, STY, LATEST JAZZ, IMPROVISATION, EXAMPL, PART, 3,įinally we have a Substitution for a iii vi ii V. In this next example we have an ending where Julian takes the basic ii V and extends the progression. This way of harmonising a top note is a great challenge and a really useful way to practice and develop chord substitution.ĬLICK IMAGE TO ENLARGE: Julian Lage “TOP DOWN” Harmonisation jazz guitar chords/progressions concept/Lesson. Julian Lage keeps the top note A throughout and harmonises with chords below it.
In this next example Julian employs a “TOP DOWN” Harmonisation concept. These simple chordal inversions of C major also make beautiful sounding triad arpeggios and really stand out on the guitar fingerboard.ĬLICK IMAGE TO ENLARGE: Julian Lage’s use of chord inversion in triplets jazz guitar lesson By inverting them Julian creates clear harmonic movement Julian Lage’s use of chord inversion: Julian Lage jazz guitar improvisation chords/progressions lesson This goes back to Bach and creates a beautiful sound from simple triads. His style in regards to chords is reminiscent of the great jazz guitarist Jim Hall at times.Įxample 1: Julian’s use of chord inversion.
Today we will look at a couple of unique ways that Julian Lage exploits jazz chords and their extended sequences.
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